NEWS

AUCTION - 2025.04.14

【Results & Invitation to Consign】The 71st SBI Art Auction | LIVE STREAM AUCTION

Thank you for partaking in our "The 71st SBI Art Auction | LIVE STREAM AUCTION" sale held on April 11 and 12.
Auction result is now available on our website.

Total Sales: 207,874,000 JPY
Lots sold: 90.6%

>> Auction Result [Online Catalogue]
>> Auction Result [PDF]

◆Results Highlight
Price realized (JPY) includes buyer's Premium



Lot. 271
NAGAI Hiroshi
Untitled
1,000,000 - 1,500,000 JPY
Price Realized 18,975,000 JPY



Lot. 343
Henri MATISSE
16 plates from the portfolio "Jazz" (Duthuit No. 22)
4,000,000 - 7,000,000 JPY
Price Realized 13,800,000 JPY



Lot. 349
Ben VAUTIER
I want to do art. but I don't know what is art.
600,000 - 900,000 JPY
Price Realized 2,300,000 JPY



Lot. 258
YAMAMOTO Hiroki
Remains of the day
3,500,000 - 5,500,000 JPY
Price Realized 4,600,000 JPY



Lot. 263
MATSUYAMA Tomokazu
Spotlight Seduction
6,000,000 - 9,000,000 JPY
Price Realized 9,545,000 JPY



Lot. 256
NAKAZONO Koji
Untitled
800,000 - 1,400,000 JPY
Price Realized 2,127,500 JPY



Lot. 281
KYNE
Untitled
3,000,000 - 5,000,000 JPY
Price Realized 4,830,000 JPY



Lot. 257
IMAI Ulala
BANANA
1,500,000 - 3,000,000 JPY
Price Realized 3,680,000 JPY



351
KAWS
KAWS Bronze
2,500,000 - 3,500,000 JPY
Price Realized 2,875,000 JPY

◆Upcoming auctions and deadline for consignment
The 72nd SBI Art Auction
Date: Friday, May 23 and Saturday, May 24, 2025.
Deadline for consignment: Closed

The 73rd SBI Art Auction
Date: Saturday, July 12 and Sunday, July 13, 2025.
Deadline for consignment: Mid-May, 2025

Please request an estimate by clicking the following link.
>> Request an estimate

Please contact
SBI Art Auction
TEL: +81 3-3527-6692 FAX: +81 3-3529-0777
Email: ArtAuction@sbigroup.co.jp

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NEWS - 2025.04.12

INTERVIEW | Delivering Art Through Manga: A Conversation with PARARI-sensei, Author of "If I’ll Die Someday, It’ll Be After I Sell My Art"

If I’ll Die Someday, It’ll Be After I Sell My Art has garnered attention not only for tackling the inner struggles of artistic creation and character development—common themes in art-themed manga—but also for delving into the often-opaque mechanisms behind valuations and pricing of artworks. With Volume 1 released in June 2023 and the highly anticipated Volume 6 scheduled for release on April 16, 2025, we welcomed the manga’s creator, PARARI-sensei, to hear their perspectives on the art world, the key ideas behind the manga, and their thoughts on the auction market.

Bringing Art into a Universal Narrative—Where Manga and Art Intersect

▷Could you tell us about yourself? How did you start your career as a manga artist?
I started off being an average “otaku” and making fanzines. There was a particular female character I felt overwhelming need to make happy, so I began by drawing derivative stories featuring her. Eventually, I became interested in creating original works of my own, and while participating fanzine events, an editor approached me—and that was how I began my career as a manga artist.

▷What kinds of stories have you worked on so far? Are there any recurring themes that run through your work?
In these days, I am working on stories set in the real world. On the other hand, my previous work Mugi and Pes: Monsters’ Diary was a fictional manga featuring the fantasy daily life of monsters and creatures in an omnibus format. In this manga, I explored different kinds of topics like parenting within bird species or a trend of reptiles sloughing off their skin. I depicted it thoroughly with my well-considered imagination of “What if this trend caught on this fictional world?”
The subjects I pick vary, however, the focus on deeply woven character relationships remains constant throughout my stories. Many readers have told me that is what they love most. I want to portray realistic relationships and imbue the story world with a sense of authenticity.

▷Have there been people or experiences that especially influenced your work as a manga artist?
Two people stand out. One is my grandfather —I was very close to him. He bought me the entire Doraemon collection, and whenever I drew something, he would praise me (though I am sure he was just being kind). I did not explicitly aspire to become a manga artist back then, but growing up in that supportive environment made it a viable path for me.
The other is a fellow manga artist named AMUPAKA-san, who approached me at my very first fanzine event, COMITIA (Original Independence Comic Exhibition). I was still a total beginner at that time, but she read my manga and made the effort to come and tell me her thoughts directly. Unfortunately, she passed away last year. I loved her work, and will always be grateful that she taught me how fun creating can be.

▷Your current work, If I’ll Die Someday, It’ll Be After I Sell My Art, revolves around the theme of art. Could you tell us about your own encounter with art and what it means to you?
My first real connection with art came through a catalogue featuring works of Félix GONZALEZ-TORRES. I had opportunities to see other artworks before, but his works really stuck to me. To be honest, I have felt distant about the concept of “art,” and “art” has been a hard thing to grasp even I had always enjoyed drawing. However, something clicked in my mind when I saw his piece. His artworks may be more difficult to interpret than traditional artworks, but I was able to understand that he was expressing emotions I was already familiar with —feelings like love and loneliness—through his own visual language. Through his works, I came to feel the boundless potential of human expression embodied in art, at the same time, it made me want to explore that vastness even further. Personally, I was quite disappointed that his large-scale solo exhibition scheduled at the National Museum of Art, Osaka this year was cancelled.

▷That sounds like a deeply personal and powerful encounter with art. I think your profession brings you close to the subtleties of human emotion, and it may inspire you to connect so instinctively. It is a truly irreplaceable experience responding to a piece viscerally rather than analytically.
I believe so as well. Art certainly has the capacity to reflect the current state of society, and there are ways to engage with it intellectually. In my case, however, my first connection came from a place of feeling. Over time, I found that I could appreciate art both intellectually and emotionally, which has only enhanced its appeal for me.

▷Are there any artists you are currently interested in?
Yes, there are. I recently saw artworks by YUNDE Kenpei and SHIBATA Nanami at MIZOE ART GALLERY during “ART FAIR TOKYO19.” Paintings by YUNDE have a soft and almost dreamlike appearance. On the other hand, they are built up through layers of oil paint, and it creates a remarkable depth and presence. SHIBATA depicts simplified human figure, and her brushstrokes covey a striking sense of materiality. Both artists present a compelling contrast between the weight of their medium and the images they depict. I find these points very intriguing.

▷This may be a bit of a presumptuous question, but do you think part of the appeal lies in the texture and physicality of painting, which are qualities that are inherently absent in printed or digital media like manga?
That might be the case. Since manga does not offer the same kind of tactile or layered expression, I may be drawn to those elements without even realizing it. There is something captivating about the marks left by a brush—or sometimes deliberately erased—in original paintings. It is a mode of expression quite different from my own, and I find that difference fascinating.

▷You mentioned about the distinctions between painting and manga. Do you see any influence from art in your approach to manga—in terms of composition, color, or storytelling?
Absolutely. I believe there is a strong ongoing relationship between the worlds of art and manga. Sometimes techniques pioneered in traditional or contemporary art find their way into manga, and conversely, manga’s unique methods also influence the art world. As for storytelling, I am particularly drawn to video installation artists like Pipilotti RIST and William KENTRIDGE. Their works often explore deeply social narratives, such as feminism, their countries’ histories and so on. When I bring aspects of reality into manga, I aim to make them universally enjoyable, otherwise, it cannot stand as a manga without that point. A manga must first and foremost be engaging; otherwise, it fails as a medium. The works of those artists also resonate with audiences who might not share the same cultural or historical background. That ability to connect on a universal level is, I believe, something manga and art both strive for.

▷In a previous interview, you mentioned that incorporating elements of entertainment was your way of making art feel more accessible. I would say that “entertainment value” is a key concept.
I have two standing thoughts: wanting people to develop their interests in art and wanting readers to enjoy my work as a piece of entertainment. If the manga itself is entertaining, then the subject matter within it can draw attention. That is why I start from the point of view to create the story interesting and enjoyable.

Crafting Conviction and Balance in Portraying Art

▷What led you to create If I’ll Die Someday, It’ll Be After I Sell My Art?
On the basis of my creation, there has been my desire to make people experiencing the kind of emotional connection to art that I had, and a wish that more people become empathizing with those feelings. Art can be a difficult field to communicate clearly, and it often feels inaccessible. While it is true that influencers and commentators are opening more doors for engagement to art, I felt a strong personal drive to express its appeal entertainingly in my way.

▷When depicting art through manga, were there any particular techniques you used to ensure its credibility and clarity?
There were two areas I paid special attention to: visual design and storytelling.
As the point of visual design, I made sure that each character’s artworks were believable both as standalone art and as a natural extension of that character's personality. There have been several artistic interactions regarding the expression characteristics of the protagonist, Kazuki. At first, I considered that abstract expression or distinctive strong painting style would fit his personality. However, I thought that he would depict a more concrete world if I reflected his personality and experiences he had. That eventually led to a pen-and-ink style that fits well within the monochrome format of manga.
The most difficult part was conceptualizing NAGIMORI’s works. Once Kazuki’s concept of works determined, it was relatively straightforward. It was also easy to envision HARUNAGA’s works since it has conceptual characteristics reflecting her personal statements. KUMOI-sensei ethereal yet technically precise world also gave me a clear visual guide. On the other hand, NAGIMORI's work had to reflect not only his own unique sensibilities, including his particular fetishes and childhood aspirations—but also be convincing as a commercially successful artwork within the world of manga. In other words, his art needed a double layer of credibility.
From the aspect of storytelling, I was very careful to avoid giving a one-sided impression since this story might be the first encounter with contemporary art for some readers. For example, there is a scene in Chapter 2 where Kazuki mistakes an artwork for trash and throws it away. I think readers will initially relate to Kazuki’s reaction; however, if the story stopped there, it would reinforce a limited view of art. That is why I introduced HARUNAGA, the artist behind the discarded work. Having him speak about the piece allows readers to reflect and perhaps discover a new way of seeing.

▷Were you inspired by real people or episodes along with depicting the artists and market in this story?
In creating this work, I aimed to portray a range of patterns and perspectives in a certain level of realism, therefore, I did reference real-life people and events currently active in the art world.
For instance, one of the protagonists, Toru and his ARASHIYAMA family are heavily inspired by my first visit to the Hara Museum of Contemporary Art in Shinagawa. The museum, which was once a private residence of a businessperson who collected artworks, left a strong impression on me. That episode and the vivid imagery of the site influenced how I built Toru’s world. In fact, his family home in the story is set in Shinagawa.
As for artists, NAGIMORI’s character was shaped with a conscious nod to contemporary pop art. Among the influences, Tomokazu MATSUYAMA stands out. I have always admired his work, and his style—contemporary pop characteristic and how he depicts youth—has had a noticeable impact on how I drew NAGIMORI.

▷I had a feeling while reading that some characters might be based on specific people—and it was nice to know I was right. Had there been any readers’ striking reactions to you?
There is a wide range of readers, those already interested in art, those completely new to it, aspiring collectors, and even fellow creatives. Receiving feedback that my work inspired someone to visit a museum, or to take their own creative pursuits more seriously, makes me truly happy.
On the other hand, there was one piece of feedback saying, “Since I am not into the art as much as Kazuki is in the story, I do not think I could ever become an artist.” I do not see it in that way. The narrative throwing your whole soul into your art is just one type of story. This narrative works well in the story between Kazuki and Toru as one of fictional stories; however, it does not mean that this is the only way to become artists. Each artist has their own creation and their way to create.


Source: Excerpt from If I’ll Die Someday, It’ll Be After I Sell My Art, Volume 5, Chapter 18
©Parari (AKITASHOTEN) 2023

Love Lives in the Secondary Market

▷In general, I think it is hard to grasp how art is priced in the market. What do you think about it and what kind of reactions have you received?
I think there is strong interest in how artworks are priced. In fact, some readers consider my work to be an informative manga. Without that foundational knowledge, it is hard to fully engage with the human drama that sits on top of this manga, therefore, I try to explain basic information of the art world as clearly as I can in the story, such as relationship between art and money, how prices increase, or how market value is determined. I believe knowing that readers are enjoying the story may suggest that they are absorbing those contexts as well.

▷Volume 1 includes a scene set at an auction, which helps both Kazuki and readers to realize that art can be bought and sold. What was your impression of auctions before, and did your visit to our auction change that image?
I have always felt there are both light and shadow aspects in the market, and it can be said with any market or commodity. On one hand, there are people who genuinely love the artworks and want to own them. On the other, to put it bluntly, some view art mainly as an asset with no emotional attachment. That led me to a negative perception that the secondary market, including art auctions, would have more people who have the latter minds. I think part of that stems from being a bit of an “otaku” myself, I used to have something shady impression with resale. However, my impression of the secondary market has eventually changed after I started working on this manga. I had many opportunities to talk to many people and observed the auction world more closely, and these experiences led me to see the real faces of those who deeply desire artworks. Now, I see the secondary market as a space for passionate collectors who are seeking their second chances to acquire desirable pieces—people who missed out on acquiring a piece in the primary market. I would like to believe these are people full of love for artworks. If a piece can be passed from one loving owner to another, that is a wonderful thing. Art must circulate like blood in the body. It needs to flow. Otherwise, artists cannot sustain their careers. A healthy distribution system is important for art. I hope others feel the same way.

▷As a person working in the secondary market, it means a lot to hear that perspective. I appreciate it. Finally, can you share with us some highlights from the latest volume? I would like to hear from both of you, the editor, Kosaka-san, and the author, PARARI-sensei.
Kosaka-san: From an editorial perspective, I would highlight two points. One is the relationship between Kazuki and Toru. Though framed as an artist-patron relationship, there is much more beneath the surface. I hope readers will engage with human dynamics in the story, such as the misunderstandings and the missed connections. The other is the past of Toru. I find it fascinating that we finally get to glimpse into the past which he has been deeply tied to.
PARARI-sensei: I agree with you. Volume 6 is a turning point where many of the human connections built up in earlier volumes begin to shift. I hope readers enjoy seeing those developments. Also, this volume includes scenes set at the 21st Century Museum of Contemporary Art, Kanazawa, and we had the pleasure of working with the museum team for supervised descriptions. We also received kind cooperation from Leandro ERLICH’s studio for the use of his iconic work, The Swimming Pool. I am very grateful for their support and would be delighted if readers also enjoyed spotting those real-world connections woven into the story.

The latest Issue


©Parari (AKITASHOTEN) 2023

PARARI, If I’ll Die Someday, It’ll Be After I Sell My Art, Volume 6, AKITASHOTEN
Release Date: Wednesday, April 16, 2025






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PRESS - 2025.03.14

"A Symphony of Colors and Forms: An Enthralling Art Spectacle" Experience the Vibrancy of the Art Scene—Anytime, Anywhere, Online

A Symphony of Colors and Forms: An Enthralling Art Spectacle
Experience the Vibrancy of the Art Scene—Anytime, Anywhere, Online

SBI Art Auction is pleased to announce “The 71st SBI Art Auction | LIVE STREAM AUCTION”, to be held on Friday, April 11, and Saturday, April 12, 2025. This live-streamed auction will present a curated selection of over 490 exceptional works, bringing together masterpieces by established and emerging artists.

As April unfolds and spring’s hues deepen, this auction offers a vibrant collection of artworks spanning generations. Among the highlights is Henri MATISSE’s renowned Jazz series, featuring 16 pochoirs print. Known as the "master of color," MATISSE expresses a sense of movement and rhythm through his dynamic palette and bold, organic forms, captivating viewers with his signature vitality. Another highly anticipated work is KUSAMA Yayoi’s Mt. Fuji in Seven Colours - Mt. Fuji, I love (Kusama 399). The bold red depiction of Mt. Fuji symbolizes strength, while the vivid blue background further enhances the composition’s vibrancy.

Among the sought-after contemporary artists, ROKKAKU Ayako’s Untitled enchants with its lively depiction of a young girl striding gracefully across a cardboard canvas. Similarly, NAGAI Hiroshi’s tranquil landscapes—characterized by a harmonious blend of blue tones, modern architecture, lush greenery, and a glistening pool—transport viewers to a world of serene clarity. Following his remarkable performance in last September’s live auction, NAGAI’s works are once again expected to attract attention.

This auction will also mark the debut of YAMAMOTO Hiroki at SBI Art Auction with Remains of the day. Known for his meticulous realism and atmospheric depth, YAMAMOTO’s piece presents a striking balance between stillness and emotional resonance. Also featured are works by NAKAZONO Koji, a promising artist whose life was cut short at a young age. Over the course of his brief yet impactful career, he created approximately 500 artworks. This sale will present one of his poignant oil pastel pieces from his later years. Powerful pieces by KOMATSU Miwa—radiating mystical energy—and KYNE, renowned for his stylized depiction of sophisticated women, will also be included in the lineup.

From overseas, Swiss contemporary artist Andy DENZLER’s Waterfall Crossing will be featured. Known for his “Motion Paintings,” DENZLER employs thick layers of oil paint and horizontal striations to create a compelling interplay between distortion and fluidity. His evocative, blurred imagery invites viewers into a dreamlike and cinematic narrative.

Additionally, MATSUYAMA Tomokazu—a Japanese artist currently based in New York—will be featured with Spotlight Seduction. As his first major solo exhibition in Tokyo is on view, and his works continue to gain prominence both in Japan and globally.

This LIVE STREAM AUCTION offers collectors and art enthusiasts the opportunity to participate seamlessly from anywhere in the world. As the season of renewal begins, we invite you to explore and acquire remarkable works that will enrich both your collection and your living space.


色彩與造型交織而成的震撼藝術饗宴
邀您在線共賞精彩競拍

SBI藝術拍賣榮幸地為您呈現第71輯「LIVE STREAM AUCTION」;此次拍賣將於2025年4月11日(星期五)及12日(星期六)以線上直播競拍的形式進行,屆時將呈獻超過490件精心甄選的藝術佳作,為全球藏家帶來耳目一新的競標體驗。

隨著春色漸濃、萬物甦醒,本次拍賣匯聚橫跨不同時代的藝術大師與新銳藝術家,構築一場極具魅力的藝術盛宴。法國藝術巨匠、色彩的魔術師亨利・馬蒂斯(Henri Matisse)的經典版畫系列《Jazz》中的16件代表作將隆重亮相。這些作品透過鮮明的色彩與自由奔放的造型,展現律動與韻律之美,宛如視覺上的即興演奏,令人陶醉其中。此外,日本當代藝術的象徵——草間彌生(Yayoi Kusama)的經典力作《Mt. Fuji in Seven Colours - Mt. Fuji, I love(Kusama 399)》亦將亮相。作品中的熾紅富士山象徵磅礡的生命力,搭配深邃湛藍的背景,強烈的色彩對比帶來震撼的視覺張力。

六角彩子(Ayako Rokkaku)的作品《Untitled》,以靈動的筆觸描繪出輕盈前行的女性形象,畫面流暢且充滿生命力。永井博(Hiroshi Nagai)的作品也將再度亮相,其標誌性的藍色基調畫面,搭配建築、泳池、綠意盎然的樹木與斑駁陽光,營造出清新愜意的氛圍,極具收藏價值。首次登上SBI拍賣舞台的山本大貴(Hiroki Yamamoto),其作品《Remains of the day》展現對寫實主義的極致追求,以細膩筆觸營造靜謐且富有情感的視覺體驗。英年早逝卻備受矚目的天才畫家中園孔二(Koji Nakazono),雖擁有短暫的藝術生涯,卻留下約500件作品。本次拍賣將呈現其後期的油性粉彩,再現其獨特的藝術風格。同場亮相的還有當代藝術界極具影響力的創作者,包括小松美羽(Miwa Komatsu)充滿神秘能量的作品,以及KYNE極具洗鍊美感的都市女性肖像畫,展現當代藝術的多元魅力。

瑞士當代藝術家安迪・登茲勒(Andy Denzler)的作品《Waterfall Crossing》將震撼登場。登茲勒以其獨特的「動態繪畫(Motion Paintings)」風格聞名,透過厚重的油彩塗層與層層水平線交錯,營造出迷離且充滿張力的模糊與扭曲效果,彷彿攝影快門移動瞬間的定格影像,帶來強烈的視覺衝擊,使觀者沉浸於其獨特的藝術世界。此外,旅居紐約、備受國際關注的日本藝術家松山智一(Matsuyama Tomokazu)亦將帶來其作品《Spotlight Seduction》。松山於2025年3月在東京舉辦了其首場大型個展,迅速成為藝術界焦點,吸引國內外藏家的矚目。本次拍賣將呈獻其標誌性的視覺語彙與鮮明風格,讓藏家近距離欣賞這位國際級藝術家的非凡力作。

本次拍賣將採取線上直播競拍模式,讓全球藏家皆可隨時隨地參與競拍,即時感受拍賣現場的精彩氛圍。在這個充滿新開始的春季,我們誠摯邀請您透過這場拍賣,探索並收藏那些令人心動的藝術作品,開啟一場獨特的藝術邂逅! 

색과 형이 어우러져 마음을 울리는 예술의 향연
온라인에서 펼쳐지는 생생한 아트 씬을 즐겨보세요

SBI 아트 옥션 주식회사(본사: 도쿄도 고토구, 대표이사: 후지야마 도모히로)는 2025년 4월 11일(금)과 12일(토)에「제71회 SBI 아트 옥션 | LIVE STREAM AUCTION」을 개최합니다.
이번 옥션은 라이브 스트리밍 형식으로 진행되며, 490점이 넘는 엄선된 작품들이 한자리에 모입니다.

봄의 색채가 깊어지며, 온화한 계절의 변화를 느낄 수 있는 4월.
이번 경매에서는 시대를 초월해 사랑받는 거장들의 명작부터 신진 작가들의 개성 넘치는 작품까지 다채롭게 모아 보았습니다.

프랑스의 거장이자 색채의 마술사’로 불리는 앙리 마티스의 대표작 『Jazz』 시리즈 중, 16점의 판화가 출품됩니다. 선명한 색채와 자유로운 형태가 어우러져 만들어내는 역동성과 리드미컬한 감각은 보는 이를 매료시킵니다.

또한, 일본 현대미술을 대표하는 쿠사마 야요이의《일곱 빛깔의 후지—후지산, 나 정말 좋아해 (Kusama 399)》*도 출품됩니다. 강렬한 붉은빛으로 물든 후지산이 그 에너지를 전하며, 배경의 푸른색이 작품의 생동감을 더욱 극대화합니다.

로카쿠 아야코의《Untitled》에서는 경쾌한 발걸음으로 나아가는 여성의 모습이 골판지 위에 그려져, 생동감이 매력적으로 표현되었습니다.

또한, 지난해 9월 라이브 세일에서 큰 인기를 끌었던 나가이 히로시의 작품도 출품됩니다. 그의 작품은 푸른색을 중심으로 건물과 수영장, 그리고 싱그러운 나무와 햇살이 어우러져 청량한 분위기를 자아냅니다.
이번 경매에서는 처음으로 소개되는 야마모토 히로키의 《Remains of the day》도 만나보실 수 있습니다. 그는 독창적인 리얼리즘을 추구하며, 작품 속에 고요하면서도 깊이 있는 세계관을 담아냅니다.

또한, 유망한 신예 화가로 짧은 생애 동안 약 500점의 작품을 남긴 나카조노 코지의 생애 마지막 시기의 오일 파스텔 작품도 출품됩니다.

이 외에도 신비로운 에너지를 품은 코마츠 미와의 작품과, 세련된 여성상을 그려낸 KYNE의 작품 등 다채로운 라인업이 준비되어 있습니다.

해외 작가로는 스위스 출신의 현대 아티스트, 앤디 덴즐러의 《Waterfall Crossing》이 출품됩니다. 덴즐러는 두꺼운 유화층과 다수의 수평선을 통해 우연적으로 생성되는 블러 효과와 왜곡 등을 특징으로 하는 "Motion Paintings" 시리즈로 잘 알려져 있으며, 그가 창조하는 독창적인 세계관은 많은 이들을 매료시킵니다.

또한, 뉴욕을 거점으로 활동하는 마츠야마 토모카즈의 《Spotlight Seduction》이 출품됩니다. 올해 3월부터 작가의 첫 대규모 도쿄 개인전이 개최되며 국내외의 큰 주목을 받고 있는 마츠야마의 대표작 중 하나로 기대를 모으고 있습니다.

이번 경매는 라이브 스트리밍 형식으로 진행되며, 어디에서든 실시간으로 참여하실 수 있습니다. 

■Auction Detail “The 71st SBI Art Auction|LIVE STREAMING AUCTION ”
・Auction:
 Total Number of Lots: 492
 Date: Friday, April 11, 2025 – Saturday, April 12, 2025 1:00PM (JST) –
・Bidding Methods: On-site, Telephone, Absentee, and Online bidding.
・Auction Live Streaming: YouTube Streaming (https://www.youtube.com/channel/UC32a7MUOI-xI1DY-CghG-KA)
・Auction Details: https://www.sbiartauction.co.jp/lp/2025_04_12/en/ (to be published on Monday, March 24, 2025)

■拍賣詳情
第71輯SBI藝術拍賣|LIVE STREAM AUCTION
拍品數: 492件拍品(暫定)
【拍賣日】
2025年4月11日(星期五)日本時間13:00- Lot. 001-238
    4月12日(星期六)日本時間13:00- Lot. 239-494
※本次拍賣將無實體會場,僅接受電話、書面或線上形式參與。
※ 拍賣將通過YouTube直播,觀看連結:
https://www.youtube.com/channel/UC32a7MUOI-xI1DY-CghG-KA
※更多資訊請參閱網站:
https://www.sbiartauction.co.jp/lp/2025_04_12/en/ (資訊將於3月24日星期一更新公開)

■실시개요
「제71회 SBI 아트옥션|LIVE STREAM AUCTION」
・경매:
 총 출품수:492점
 일시: 2025년 4월 11일(금), 12일(토) 13:00 - (예정)
 ※라이브 스트리밍 경매로 진행되기 때문에 프리뷰는 진행되지 않습니다.
・참여 방법: 현장, 전화, 서면 또는 온라인 입찰
 경매 시청:YouTube Streaming:https://www.youtube.com/channel/UC32a7MUOI-xI1DY-CghG-KA
・상세 정보:https://www.sbiartauction.co.jp/lp/2025_04_12/jp/ (2025년 3월 24일(월) 공개 예정)
새로운 시작이 가득한 이 계절, 새로운 예술 작품과의 만나보세요!

■Highlights/焦點拍品/출품 작품 하이라이트
Access to this sale’s online catalogue:
https://www.sbiartauction.co.jp/en/auction/catalogue/129 (to be published on Monday, March 24, 2025)

*線上圖錄(資訊將於3月24日星期一更新公開): https://www.sbiartauction.co.jp/auction/catalogue/129

※온라인 카탈로그:https://www.sbiartauction.co.jp/en/auction/catalogue/129 (2025년 3월 24일(월) 공개 예정)





■About our auction/關於我們/SBI아트옥션에 대하여


SBI Art Auction holds public auctions offering a diverse selection of fine works including contemporary art created in and after the 20th century, as well as modern art, photography, design, and crafts that enrich the lifestyles of a wide variety of clients.
With registered customers from over 63 countries* and approximately 50% of auction sales attributed to international bidders, SBI Art Auction proudly stands as Japan's most globally connected auction house.

In addition to showcase works by prominent Japanese artists, we will actively introduce works by international artists rarely featured in Japanese auctions, contributing to the growth and expansion of Japan's art market.
*As of January 2025

■How to participate in our auction
The auction is held by bidding for the sale price.
Customers who participate for the first time are requested to register in advance.
For more information on how to buy works at auction, please see the following page.
Details on how to participate and buy: https://www.sbiartauction.co.jp/en/buy-sell/buy/

■Upcoming auction (TBC)
・The 72nd SBI Art Auction | Modern and Contemporary Art
 Auction Date: Friday, May 23, 2025 - Saturday, May 24, 2025

・The 73rd SBI Art Auction | Modern and Contemporary Art
 Auction Date: Saturday, July 12, 2025 - Sunday, July 13, 2025

■About us
SBI Art Auction Co., Ltd. provides a wide variety of services corresponding to our clients' needs, including auctioning, brokering private sales, financing, and consulting. Our aim is to ensure that more people come to appreciate the pleasure, importance, and fun of owning artworks, while at the same time helping them to keep their artworks in good condition over the long term and pass them along to the next generation.

Company name: SBI Art Auction Co., Ltd.
Representative Director: FUJIYAMA Tomohiro
Address: TFT Building East Wing, 3-6-11 Ariake, Koutou-ku, Tokyo, 135-0063 JAPAN
Established: April 1, 2011
HP: https://www.sbiartauction.co.jp/en/
Instagram: https://www.instagram.com/sbiartauction/
*Please be aware of impersonation attempts mimicking our website.

藉由舉辦公開拍賣,SBI藝術拍賣為藝術愛好者呈現二十世紀以來的卓越當代藝術作品,以及現代藝術、攝影、設計和工藝品等,致力於通過藝術豐富人們的生活。我們的客戶遍佈63個國家及地區*,海外得標者所佔的總落錘金額約達50%,這使得SBI藝術拍賣成為日本最具國際化的拍賣平臺。除了推廣日本藝術界的代表性藝術家之外,我們還致力為藝術愛好者帶來在國內鮮少見到的國際藝術家作品,進一步擴大和豐富日本的藝術市場。
*數據截至 2025 年 1月

■如何參加拍賣
參加SBI藝術拍賣,需先進行會員註冊。拍賣採用競拍形式。
詳細參加指南,請訪問 https://www.sbiartauction.co.jp/en/buy-sell/buy/

■今後拍賣日程 (暫定)
第72輯SBI藝術拍賣|MODERN AND CONTEMPORARY ART
拍賣日: 2025年5月23至24日(星期五至星期六)

第73輯SBI藝術拍賣|MODERN AND CONTEMPORARY ART
拍賣日: 2025年7月12至13日(星期六至星期日)

■公司簡介
SBI藝術拍賣株式會社自2011年於東京成立以來,致力於提供廣泛的藝術品相關服務,以滿足客戶多元的需求。我們的服務範疇涵蓋公開拍賣、私人洽購、金融服務及規劃諮詢等領域。冀能讓更多人體驗到藝術所帶來的樂趣及其重要性,同時協助客戶典藏藝術品,確保其良好狀態得以傳承至未來世代。
公司網站: https://www.sbiartauction.co.jp/en/
官方Instagram: https://www.instagram.com/sbiartauction/
*請留意釣魚網站或仿冒帳號。

20세기 이후 현대미술을 중심으로 현대미술, 사진, 디자인, 공예품 등 고객의 라이프스타일을 더욱 풍성하게 할 다양한 작품들을 소개하는 공개형 경매입니다. 등록 고객의 국적은 63개국에 이르며, 낙찰 총액의 약 50%가 해외 고객에게서 발생하는(※) 등 국내 최대의 글로벌 옥션 하우스입니다. 일본 미술시장을 대표하는 작가의 작품뿐만 아니라, 국내 경매에 출품이 적은 해외 작가들의 작품도 활발히 소개하며, 일본 미술시장의 성장과 확대에 기여하고 있습니다.
(※) 2025년 1월 현재

■경매 참가 방법
처음 참여하시는 고객님께서는 미리 회원 등록이 필요합니다.
경매에서 작품을 구매하는 방법에 대한 자세한 내용은 아래 페이지에서 확인하실 수 있습니다.
:https://www.sbiartauction.co.jp/buy-sell/buy/

■앞으로 경매 스케쥴(예정)
제72회 SBI 아트옥션|MODERN AND CONTEMPORARY ART
개최일 : 2025년 5월 23일(금), 24일(토)

제73회 SBI 아트옥션|MODERN AND CONTEMPORARY ART
개최일: 2025년 7월 12일(토), 13일(일)

■SBI아트옥션 주식회사
미술품 경매, 매매, 매매 중개, 금융, 자문 등 고객의 니즈에 따라 국내외의 폭넓은 네트워크를 활용한 다각적인 사업을 전개하고 있습니다. 서비스 제공을 통해 더 많은 사람들에게 미술품 소유의 기쁨과 소중함, 재미를 전함과 동시에 미술품을 오래도록 소중히 간직하고 다음 세대로 이어갈 수 있도록 돕고 있습니다.

회사명:SBI아트옥션 주식회사
대표자:대표이사 후지야마 토모히로
소재지: 도쿄도 고토구 아리아케 3-6-11 TFT빌딩 동관
설립: 2011년 4월 1일
HP:https://www.sbiartauction.co.jp/en/
Instagram:https://www.instagram.com/sbiartauction/




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AUCTION - 2025.03.10

【Results & Invitation to Consign】The 70th SBI Art Auction | Tokyo Contemporary: Redefined

Thank you for partaking in our "The 70th SBI Art Auction | Tokyo Contemporary: Redefined" sale held on March 8.
Auction result is now available on our website.

Total Sales: 700,430,500 JPY
Lots sold: 94.6%

>> Auction Result [Online Catalogue]
>> Auction Result [PDF]

◆Results Highlight
Price realized (JPY) includes buyer's Premium



Lot. 044
Andreas GURSKY
Em Arena II, Amsterdam
20,000,000 - 25,000,000 JPY
Price Realized 23,000,000 JPY



Lot. 046
Jack PIERSON
Hope
5,000,000 - 8,000,000 JPY
Price Realized 12,650,000 JPY



Lot. 054
Ed RUSCHA
That Was Then This Is Now
3,000,000 - 5,000,000 JPY
Price Realized 9,775,000 JPY



Lot. 055
Donald JUDD
Untitled (Schellmann-Jitta 298 - 301)
8,000,000 - 14,000,000 JPY
Price Realized 24,150,000 JPY



Lot. 056
Jean-Michel BASQUIAT (After)
Cabeza, from Portfolio II
6,000,000 - 12,000,000 JPY
Price Realized 28,750,000 JPY



Lot. 006
NISHIMURA Yu
runaway
1,500,000 - 2,500,000 JPY
Price Realized 7,705,000 JPY



Lot. 001
NARA Yoshitomo
The Little Thinker (No. YNF5386)
4,000,000 - 7,000,000 JPY
Price Realized 12,075,000 JPY



Lot. 034
KUSAMA Yayoi
Pumpkin
60,000,000 - 90,000,000 JPY
Price Realized 111,550,000 JPY


Lot. 038
LEE U-fan
Correspondance
4,000,000 - 7,000,000 JPY
Price Realized 11,500,000 JPY



Lot. 003
OKAZAKI Kenjiro
ぶらりぶらり手ばなし/手鞠り
800,000 - 1,400,000 JPY
Price Realized 3,220,000 JPY



Lot. 014
SENJU Hiroshi
Waterfall
6,000,000 - 12,000,000 JPY
Price Realized 16,100,000 JPY



Lot. 013
KURODA Taizo
1-8. UNTITLED WHITE PORCELAIN (HANAIRE)/9. WHITE PORCELAIN VASE (HANAIRE)
2,000,000 - 3,000,000 JPY
Price Realized 18,975,000 JPY

◆Upcoming auctions and deadline for consignment
The 71st SBI Art Auction | LIVE STREAM AUCTION
Date: Friday, April 11 - Saturday, April 12, 2025
Deadline for consignment: Closed

The 72nd SBI Art Auction | Modern and Contemporary Art
Date: Friday, May 23 - Saturday, May 24, 2025
Deadline for consignment: Late March, 2025

Please request an estimate by clicking the following link.
>> Request an estimate

Please contact
SBI Art Auction
TEL: +81 3-3527-6692 FAX: +81 3-3529-0777
Email: ArtAuction@sbigroup.co.jp

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PRESS - 2025.02.27

Explore More Beyond ART FAIR TOKYO: The 8 Must-Visit Art Spots around Yurakucho & Tokyo Station

Recognized as Japan’s largest and one of Asia’s longest-running art fairs, ART FAIR TOKYO gathers a diverse array of galleries from Japan and abroad, showcasing works that range from historical masterpieces to contemporary innovations. In this article, we spotlight eight must-visit art spots around Yurakucho and Tokyo Station, with a special focus on the Tokyo International Forum — home to “ART FAIR TOKYO19”.

Located inside the Marunouchi Station Building, Tokyo Station Gallery is currently hosting a solo exhibition celebrating the 120th anniversary of Ayako Miyawaki, “Miyawaki Ayako Retrospective: I saw, I cut, I applied”. Known for her fabric and paper-based creations inspired by everyday objects, the artist's work is admired for its intricate observation, detailed collage techniques, and unique artistic vision. Just a short walk from Tokyo Station’s Yaesu exit, Artizon Museum will present the exhibition “Sophie Taeuber-Arp and Jean Arp” from Saturday, March 1, 2025. This exhibition highlights the creative synergy between the husband-and-wife duo, both pioneers in avant-garde art, featuring works that explore their individual artistic styles and collaborations.

As you walk from Tokyo Station toward Yurakucho, you will come across the Marunouchi Street Gallery, an open-air exhibition showcasing contemporary sculptures by internationally renowned artists. Seamlessly integrated into the Marunouchi Naka-dori streetscape, these artworks create a dynamic urban art experience. A short detour from Marunouchi Naka-dori leads to Mitsubishi Ichigokan Museum, which is currently hosting the exhibition “Beardsley, a Singular Prodigy.” Aubrey Beardsley (1872–1898), an icon of 19th-century British illustration, is celebrated for his striking black-and-white compositions and provocative themes. Moving from Marunouchi to Yurakucho, you will find CADAN YURAKUCHO, a gallery space run by the Contemporary Art Dealers Association of Nippon. The venue is currently hosting three exhibitions: “Seishu Niihira” by ARTCOURT Gallery, Kanna Takase Solo Exhibition, “Read Your Diary” by imura art gallery, and Genta Ishizuka, “Primary Surface” by ARTCOURT Gallery.

Heading toward Ginza, you will find Ginza Sony Park, which reopened in January 2025 following the reconstruction of the iconic Sony Building. Currently, it is hosting “Sony Park Exhibition 2025” (Part 1), a collaborative showcase featuring six artists integrating music, technology, and art into immersive experiences.

In early March, “ART FAIR TOKYO19” —Japan’s largest art festival—will take place at the Tokyo International Forum. Bringing together leading galleries from Japan and abroad, the fair showcases a diverse range of works, from classical masterpieces to contemporary highlights. Running concurrently with this prestigious event is “the 70th SBI Art Auction | Bloom Now,” offering a curated selection of contemporary and modern masterpieces.

Isn’t this the perfect occasion to immerse yourself in the dynamic world of art by exploring both gallery exhibitions and the thrilling world of auctions?


Table of Contents
1. Tokyo Station Gallery, “Miyawaki Ayako Retrospective: I saw, I cut, I applied”
2. Artizon Museum, “Sophie Taeuber-Arp and Jean Arp”
3. MITSUBISHI ESTATE CO., LTD.×Chokoku-no-mori Foundation, “Marunouchi Street Gallery”
4. Mitsubishi Ichigokan Museum, Tokyo, “Beardsley, a Singular Prodigy”
5. Contemporary Art Dealers Association Nippon, “CADAN YURAKUCHO CURRENT”
 ・“Seishu Niihira” by ARTCOURT Gallery
 ・Kanna Takase Solo Exhibition, “Read Your Diary” by imura art gallery
 ・Genta Ishizuka, “Primary Surface” by ARTCOURT Gallery
6. Ginza Sony Park, “Sony Park Exhibition 2025”
7. ART FAIR TOKYO19
8. SBI Art Auction, “The 70th SBI Art Auction | Bloom Now”


1. Tokyo Station Gallery, “Miyawaki Ayako Retrospective: I saw, I cut, I applied,” Saturday, January 25, 2025 – Sunday, March 16, 2025

Left: Exhibition Flyer
Middle: Onion Halved, 1965, Toyota Municipal Museum of Art
Right: Vines in a Glass Jug, 1986, private collection

Located within the Marunouchi Station building, Tokyo Station Gallery is currently hosting a solo exhibition of Ayako Miyawaki (1905-1995), an artist renowned for her fabric and paper-based works inspired by everyday objects, from Saturday, January 25, 2025 to Sunday, March 16, 2025. “Miyawaki Ayako Retrospective: I saw, I cut, I applied” features over 150 pieces categorized under multiple themes; “Observation and Realism,” “Cross-Sections and Multiple Perspectives,” “Diversity,” “Utilizing Material,” “Utilizing Patterns,” “Playing with Patterns,” “Effective Use of Lines,” and “Orientation toward Design.”

This exhibition traces how she transformed everyday motifs into art, offering insight into her creative process. Notably, her works capturing cross-sections of fish and vegetables, as well as those incorporating patterns from familiar fabrics, demonstrate a simple yet richly imaginative approach. Miyawaki’s art seamlessly blends traditional Japanese craftsmanship with a modern sensibility, incorporating elements that continue to inspire contemporary design and craft.


2. Artizon Museum, “Sophie Taeuber-Arp and Jean Arp,” Saturday, March 1, 2025 – Sunday, June 1, 2025

Left: Sophie Taeuber-Arp and Jean Arp in front of the marionettes for the puppets show "King Stag"1918, Zurich Photo: Ernst Linck Stifung Arp e.V., Berlin/ Rolandswerth
Middle: Sophie Taeuber-Arp, Aubette 200 (design for the ceiling of the Aubette Bar in the Aubette, Strasbourg, France), 1927, Stiftung Arp e. V., Berlin/Rolandswerth
Right: Jean ARP, Shell-Hat, 1965, Arp Museum Bahnhof Rolandseck, Remagen / Photo: Mick Vincenz

Located within walking distance from Tokyo Station’s Yaesu exit, the Artizon Museum will host the exhibition “Sophie Taeuber-Arp and Jean Arp” from Saturday, March 1 to Sunday, June 1, 2025. This exhibition highlights the creative legacy of the two artists, a pioneering avant-garde artist couple of the early 20th century.

Featuring 88 works, the exhibition showcases both their individual pieces and collaborative creations. Taeuber-Arp was active in multiple disciplines, including painting, textile design, and architecture, and was known for her exploration of geometric abstraction. Jean Arp, on the other hand, incorporated chance into his artistic process, creating collages, reliefs, and sculptures while drawing on his background as a poet.

Throughout their careers, they played key roles in various artistic movements, such as Dada, Constructivism, and Surrealism, continually influencing one another’s work. This exhibition, centered on works from the Fondation Arp and other collections, examines the artistic possibilities born from their partnership, the role of women artists in this era, and the hierarchies of artistic genres that shaped the early 20th-century art scene.


3. MITSUBISHI ESTATE CO., LTD.×Chokoku-no-mori Foundation, “Marunouchi Street Gallery”

As of February 26, 2025
Left: Kohei Nawa, Trans-Double Yana (Mirror), 2012
Middle: Jim Dine, The Lookout Tower, 1990
Right: Igor Mitoraj, Sleeping Head, 1983

As you make your way from Tokyo Station to Yurakucho, you will be welcomed by the Marunouchi Street Gallery, an open-air exhibition along Marunouchi Naka-dori, the main street of the Marunouchi area. Showcasing works by internationally acclaimed contemporary artists, this exhibition is designed to be enjoyed by visitors of all ages.

Established in 1972 by MITSUBISHI ESTATE and Chokoku-no-mori Art Foundation, this project was launched with the vision of creating an art-rich urban environment. 19 sculptures by a diverse range of artists, from masters of modern sculpture to emerging talents, are displayed along the street. With artworks periodically rotated, this gallery seamlessly integrates sculptures into the surrounding cityscape, transforming Marunouchi into an open-air museum where art and architecture coexist harmoniously.


4. Mitsubishi Ichigokan Museum, Tokyo, “Beardsley, a Singular Prodigy,” Saturday, February 15, 2025 – Sunday, May 11, 2025

Left: Exhibition Flyer Visual
Middle-left: Aubrey Beardsley, ‘How King Arthur saw the Questing Beast’ from Le Morte d’Arthur, 1893, Victoria and Albert Museum. Photo: Victoria and Albert Museum, London
Middle-right: Aubrey Beardsley, ‘The Toilette of Salomé II’, plate XII for Salomé, 1907, Victoria and Albert Museum. Photo: Victoria and Albert Museum, London
Right: Aubrey Beardsley, ‘Le Dèbris[sic] d’un Poète’, 1892, Victoria and Albert Museum. Photo: Victoria and Albert Museum, London

Located just off Marunouchi Naka-dori, Mitsubishi Ichigokan Museum is hosting the exhibition “Beardsley, a Singular Prodigy,” from Saturday, February 15, 2025 to Sunday, May 11, 2025.

Aubrey Beardsley (1872–1898), a radical genius of late 19th-century Britain, made an indelible mark on the art world before his untimely death at just 25. This large-scale retrospective, co-organized with the Victoria and Albert Museum (V&A), traces the dramatic yet brief career of this pioneering artist. Beardsley is celebrated for his intricate black-and-white illustrations, highly decorative compositions, and provocative themes, making him one of the most prominent figures of the Aesthetic Movement.

The exhibition brings together approximately 220 works, including his breakthrough illustrations for Le Morte d'Arthur (1893–94) by Sir Thomas Malory, the sensuous and decadent imagery of Salomé (1894), Oscar Wilde’s controversial play, and his late masterpiece Mademoiselle de Maupin (1898) by Théophile Gautier. A highlight of the exhibition is the collection of 150 pieces specially loaned from the V&A, offering a rare opportunity to explore Beardsley’s artistic evolution from his early works to his final creations.

Beyond their decorative brilliance, Beardsley’s works are infused with biting satire, rebellious spirit, and dark humor. This exhibition also delves into his relationship with Oscar Wilde and his role within the fin de siècle art movement, providing a deeper understanding of both his artistry and his remarkable life. Don't miss this chance to immerse yourself in Beardsley’s world—one that is both strikingly beautiful and provocatively bold.


5. Contemporary Art Dealers Association Nippon, “CADAN YURAKUCHO CURRENT,” Tuesday, February 18, 2025 – Sunday, March 9, 2025
As you move from Marunouchi to Yurakucho, you will find CADAN YURAKUCHO, a gallery space operated by the Contemporary Art Dealers Association of Nippon (CADAN), showcasing works by emerging artists. Currently, three exhibitions are on view from Tuesday, February 18, 2025 to Sunday, March 9, 2025

・“Seishu Niihira” by ARTCOURT Gallery

Reflection #29, 2024, oil on canvas, alkyd resin, 162x162cm / Photo: Takeru Koroda

CADAN YURAKUCHO’s Space S is hosting Seishu Shimpei by ARTCOURT Gallery. Niihira explores the concepts of time and optical phenomena, examining how space and time can be expressed in painting. The exhibition features new works from his signature Reflection series, in which AI-generated portrait data is layered under different conditions to visualize themes of duality and opposing concepts.

Inspired by the Buddhist philosophy of "NIFUNI (non-duality)", these works emphasize coexistence and integration of contrasting elements within a singular form. Like reflections on glass, overlapping images highlight the complexity of contemporary visual culture and the new realities shaped by AI technology. The interplay between digital and analog, figuration and abstraction, reality and illusion creates a distinctive and thought-provoking artistic experience.

・Kanna Takase Solo Exhibition, “Read Your Diary” by imura art gallery

A horse in the room, 2024, Oil on canvas, 194 × 324 cm

In Space M, Kanna Takase’s solo exhibition “Read Your Diary” by imura art gallery is currently on view. Takase is an artist known for her unique style of translating everyday experiences into words, which she then transforms into paintings.

“Read Your Diary” presents a selection of her large-scale works, including a featured piece from last year’s Kyoto Prefecture Emerging Artists Exhibition, along with new creations. The artist’s works express emotions and memories that cannot be fully captured by words alone, using animals, plants, and familiar objects as visual metaphors. Her whimsical yet profound approach allows viewers to connect with her art on a personal level, evoking the sensation of reading someone else’s diary. With its inviting colors and rich storytelling, this exhibition offers a glimpse into Takase’s distinctive artistic world.

・Genta Ishizuka, “Primary Surface” by ARTCOURT Gallery

Untitled (Faded gold), 2025, Gold leaf, lacquer, hemp cloth, 2-way tricot, polyethylene foam | Dry lacquer technique, 25 x 19.6 x 18.8 cm. Photo: Takeru Kotoda

Space L features Genta Ishizuka’s “Primary Surface” by ARTCOURT Gallery, an exhibition exploring the unique sculptural possibilities of lacquer. Ishizuka’s works harness the natural luster and textural depth of lacquer to create pieces that engage the viewer’s tactile and sensory perception.

The exhibition centers around his Taxis series, in which lacquer is given shape and motion, allowing the material’s inherent fluidity to emerge dynamically. By layering lacquer, Ishizuka creates depth and incorporates light reflections, evoking a sense of vitality within his forms. The works explore the transformation of lacquer from raw tree sap into structured forms, examining the interplay of chance and intention in shaping sculptural beauty. Blending traditional lacquer techniques with a contemporary approach, Ishizuka’s works push beyond the boundaries of craft, offering new possibilities for artistic expression.

This exhibition provides a rare opportunity to rediscover the beauty and depth of lacquer through a fresh and innovative perspective.


6. Ginza Sony Park, “Sony Park Exhibition 2025,” Sunday, January 26, 2025 – Sunday, June 22, 2025

©Ginza Sony Park Project

As you head from Yurakucho toward Ginza, you will come across Ginza Sony Park, which recently reopened this January after the redevelopment of the long-standing Sony Building. The park is currently hosting “Sony Park Exhibition 2025” (Part 1), a unique program featuring collaborations with six artists.

As the first phase of this innovative exhibition series, "Sony Park Exhibition 2025” is an immersive event that fuses music, technology, and art. The exhibition is inspired by Sony’s six business areas—Music, Semiconductors, Finance, Games, Entertainment Technology, and Cinema—and features top artists such as Vaundy, YOASOBI, Hitsujibungaku, BABYMONSTER, Creepy Nuts, and Kensuke Ushio. Each artist presents an original program expressing their music and creative vision.

In the first half, Part 1 (Sunday, January 26, 2025 – Sunday, March 30, 2025), three artists present interactive installations:
・B2F: Vaundy’s "Music comes after a long journey" invites visitors on an immersive experience through layered soundscapes composed of 200 curated tracks.
・3F: YOASOBI’s "Semiconductors create new realities" features an interactive installation where each visitor can create their own "Heartbeat Object", visualizing their pulse in real time and enjoy the exhibition along with it.
・4F: Hitsujibungaku’s “Finance details life” features installation merges music, water, and light to create an ethereal space where melodies and words flow together.

The second half, Part 2 (Sunday, April 20, 2025 – Sunday, June 22, 2025), will introduce new programs by BABYMONSTER, Creepy Nuts, and Kensuke Ushio, focusing on gaming, technology, and film.

This exhibition goes beyond traditional displays, offering an interactive experience where visitors can engage and participate. Don't miss this unique fusion of music, art, and technology, only at Ginza Sony Park!


7. “ART FAIR TOKYO19,” Friday, March 7, 2025 – Sunday, March 9, 2025

Left: “ART FAIR TOKYO19” Main Visual
Upper and Lower Middle, and Left: Exhibition Installation View in 2024

One of Japan’s largest and most renowned art fairs, ART FAIR TOKYO, is set to take place at Tokyo International Forum from Friday, March 7, 2025 to Sunday, March 9, 2025. Now in its 19th edition, the fair continues to expand, welcoming 139 galleries from Japan and abroad, including 13 new exhibitors. This year’s key visual features a work by Daido Moriyama, one of Japan’s most celebrated photographers, symbolizing the contemporary dynamism of the country’s art scene.

As a leading platform driving the growth of Japan’s art market, ART FAIR TOKYO brings together a diverse selection of artworks spanning antiquities, modern and contemporary art, and crafts. It serves as a global hub for collectors, gallerists, and art enthusiasts, offering opportunities not only for transactions but also for networking and cultural exchange. Additionally, this year’s fair will feature larger exhibition booths and an expanded lineup of diverse programs, promising a more immersive and engaging experience than ever before.

Various ticket options, including early-bird discounts and same-day passes, are available, ensuring flexible pricing for visitors. As Japan’s art market continues to gain international attention, this event provides a rare opportunity to experience the latest trends and developments firsthand. Don’t miss this chance to witness the evolution of Japan’s art scene at ART FAIR TOKYO19!


8. SBI Art Auction, “The 70th SBI Art Auction | Bloom Now,” Thursday, March 6, 2025 – Saturday, March 8, 2025

Courtesy of SBI Art Auction

Marking its milestone 70th edition, SBI Art Auction will hold a preview and auction from Thursday, March 6, 2025 to Saturday, March 8, 2025, at Tokyo International Forum. Under the new title Bloom Now, this special auction brings together a remarkable selection of masterpieces from both renowned international and Japanese artists as well as emerging contemporary talents, celebrating the vibrancy of the art scene today.

The auction lineup features an exceptional range of works, including:
・The Little Thinker by Yoshitomo Nara
・Pumpkin by Yayoi Kusama
・With Winds by Lee U-fan

In addition, photography collectors will find outstanding highlights such as:
・Em Arena II, Amsterdam by Andreas Gursky, renowned for its grand-scale composition
・Nastassja Kinski and the Serpent by Richard Avedon, an iconic portrait in photography history

The auction also includes an exciting selection of contemporary works, including Izumi Kato’s dynamic sculptures, Ayako Rokkaku’s vibrant girl portraits, Hiroshi Senju’s majestic Waterfall, and Jean-Michel Basquiat’s expressive Cabeza, from Portfolio II.

The preview and auction will be held concurrently with ART FAIR TOKYO and offer exclusive special event. Registered SBI Art Auction members and ART FAIR TOKYO ticket holders will receive a complimentary auction catalog, coffee, and an original tote bag—making it an event that both seasoned collectors and first-time attendees can enjoy.

VIEW MORE

PRESS - 2025.02.26

"Bloom Now" Brightens the Spring of Art – Exclusive Event at Tokyo International Forum! – Special Campaign to Enhance Art Week – Get Exclusive Original Goods!

Bloom Now – 盛放藝術之春
東京國際論壇限定活動登場—獲得專屬原創好禮!

아트의 봄을 활짝 피우는「Bloom Now」
도쿄 국제 포럼에서 특별 한정 이벤트
아트 위크를 더욱 즐길 수 있는 기회! 오리지널 굿즈를 받아가세요!

To celebrate the “70th SBI Art Auction | Bloom Now”, taking place on Saturday, March 8, 2025, we are launching a special promotional campaign to make your Art Week experience even more enjoyable.
This event aims to offer visitors a gateway into the world of art auctions by providing complimentary drinks and original merchandise in limited numbers. The campaign is exclusively available to registered SBI Art Auction customers and attendees with tickets or passes for Art Fair Tokyo.

During this extraordinary week when art enlivens the city, we invite you to visit the Tokyo International Forum, immerse yourself in the allure of auctions, and take advantage of exclusive offers and limited-edition goods. This auction will be held in conjunction with Art Fair Tokyo, the country's premier art festival. How about embracing the arrival of spring with a celebration of exceptional artworks and an exciting auction experience?

為迎接 2025年3月8日(星期六) 舉辦的 「第70輯 SBI藝術拍賣|Bloom Now」,SBI藝術拍賣特別策劃了一系列 限定活動,讓您在這場藝術盛會中,享受更多驚喜與樂趣!

在本次期間限定的活動中,我們將免費提供限量飲品及SBI藝術拍賣原創商品,讓更多藝術愛好者親身體驗拍賣會的獨特氛圍。此活動僅適用於在 SBI 藝術品拍賣有注冊的會員或擁有Art Fair Tokyo門票/通行證的貴賓。

在這被藝術點綴的特別一週,我們誠摯邀請您蒞臨 位於有樂町的東京國際論壇,感受藝術拍賣的現場氛圍,同時領取限量特典與原創好禮!本場拍賣將與 Art Fair Tokyo 同期舉行,作為年度藝術盛事,精彩不容錯過!在春意盎然的季節裡,誠邀您與我們一同邂逅令人心動的藝術瑰寶,見證藝術的絢麗綻放!

2025년 3월 8일(토)에 개최되는 제70회 SBI 아트 옥션|Bloom Now와 함께 아트 위크를 더욱 특별하게 즐길 수 있는 이벤트가 진행됩니다.

Bloom Now를 테마로 한 SBI 아트 옥션 오리지널 굿즈와 음료를 무료로 받아보세요!
본 이벤트는 SBI 아트 옥션에 등록된 고객님 또는 아트 페어 도쿄의 티켓이나 패스를 소지하신 분들께 제공되며, 다양한 특전과 한정 굿즈를 즐기실 수 있습니다.

아트가 도시를 물들이는 이 특별한 일주일, 도쿄 국제 포럼에서 경매 프리뷰의 매력을 느끼며 아트 위크를 더욱 풍성하게 즐길 수 있는 기회를 놓치지 마세요. 본 경매는 Art Fair Tokyo와 동시에 개최되며, 아트 축제와 함께 봄의 시작을 가슴 뛰는 아트 작품들과 함께 맞이해 보세요!

Enjoy the Auction & Receive Special Gifts!
Step 1: Auction Catalogue & Coffee Giveaway!
Immerse yourself in the auction experience with a complimentary auction catalogue and freshly brewed coffee to enjoy as you explore the world of art. Limited quantities available.
・Dates: Thursday, March 6 – Saturday, March 8, 2025 (from 11:00 AM)
・Location: Tokyo International Forum, The Plaza
・Partner: Cona Café

Step 2: Receive an Exclusive Original Tote Bag!
To conveniently carry your auction catalogue, we are presenting stylish and practical original tote bags to early visitors. These limited-edition tote bags make a perfect souvenir from the auction experience.
・Dates: Thursday, March 6 – Saturday, March 8, 2025
・Location: Tokyo International Forum, Hall D7 (March 6-7), Hall D5 (March 8)

Enjoy the Auction & Get Exclusive Gifts!
特典內容
【STEP 1】限量拍賣圖錄 & 咖啡
您可以在戶外廣場免費領取拍賣圖錄,感受拍賣的獨特氛圍!此外,我們還準備了一杯香醇的精品咖啡,讓您在悠閒愉悅的氛圍中,探索藝術世界的無限魅力。數量有限,贈完即止,敬請把握!
・活動日期:2025年3月6日(星期四)- 3月8日(星期六)日本時間11:00~
・會場:有樂町 東京國際論壇 戶外廣場 (東京都千代田區丸之內3丁目5-1)
・合作伙伴:Cona Café

【STEP 2】限量原創托特包
為了讓您更輕鬆地攜帶拍賣目錄,我們特別準備了 時尚且實用的原創托特包!不論是作為參與拍賣的紀念,或是日常使用,都是不可錯過的 限量收藏品。數量有限,贈完即止!
・活動日期:2025年3月6日(星期四)-2025年3月8日(星期六)
・會場:有樂町 東京國際論壇D7(3/6-7)、D5(3/8)

Enjoy the Auction & get special gifts!
특전내용
【내용 1】경매도록 & 커피
지상 광장에서 이번 경매를 한눈에 확인할 수 있는 도록과 커피를 수량 한정으로 무료로 나눠드립니다.
・일시: 2025년 3월 6일(목) – 2025년 3월 8일(토) 11:00~
・장소: 도쿄 국제 포럼 지상 광장
・협력: Cona Café

【내용 2】오리지널 에코백
경매 도록을 담을 수 있는 오리지널 에코백을 선착순으로 증정합니다.
SBI 아트 옥션의 오리지널 에코백으로 Art Fair Tokyo 도쿄 여행의 추억을 간직하세요..
・일시: 2025년 3월 6일(목) – 2025년 3월 8일(토)
・장소: 도쿄 국제 포럼홀D7(3/6-7)、D5(3/8)



■Preview & Auction Detail “The 70th SBI Art Auction|Bloom Now ”
Auction
・Total Number of Lots: 93
・Date: Saturday, March 8, 2025 1:00PM (JST) –
・Venue: Tokyo International Forum, Hall D5 (3-5-1 Marunouchi, Chiyoda City, Tokyo 100-0005)

Preview
・Preview Date: Thursday, March 6 – Saturday, March 8, 2025 11:00AM (JST)-
・Venue: Tokyo International Forum, Hall D7 (3-5-1 Marunouchi, Chiyoda City, Tokyo 100-0005)

Press View
・Date: Thursday, March 6, 2025, 10:00-11:00AM
*Please contact us prior to your visit.

*Phone bidding and Online bidding are also AVAILABLE!
*Auction Live Streaming on YouTube. Please check the below link↓.
YouTube Streaming: https://www.youtube.com/channel/UC32a7MUOI-xI1DY-CghG-KA
*More information is available on our official website
https://www.sbiartauction.co.jp/lp/2025_03_08/en/

■拍賣詳情
第70輯SBI藝術拍賣|Bloom Now
【拍品數】93件拍品
【拍賣日】2025年3月8日(星期六)日本時間13:00-
【拍賣會場】有樂町 東京國際論壇D5 (東京都千代田區丸之內3丁目5-1)

【拍賣預展】2025年3月6日(星期四)-3月8日(星期六)
【預展會場】有樂町 東京國際論壇D7 (東京都千代田區丸之內3丁目5-1)

【傳媒預展】2025年3月6日(星期四)日本時間10:00 - 11:00
※傳媒預展僅對媒體開放,如欲來場敬請提前告知。

※可透過親臨拍賣會場、或以電話、書面或線上形式參與拍賣。
※拍賣將通過YouTube直播,觀看連結: https://www.youtube.com/channel/UC32a7MUOI-xI1DY-CghG-KA
※更多資訊請參閱網站: https://www.sbiartauction.co.jp/lp/2025_03_08/en/


■실시개요
「제70회SBI아트옥션|Bloom Now」
경매
・총출품수:93점
・일시:2025년3월8일(토)13:00-
・장소:도쿄 국제 포럼 홀D5(도쿄 치요다구 마루노우치3-5-1)

프리뷰
・일시:2025년3월6일(목)-3월8일(토)11:00-
・장소:도쿄 국제 포럼 홀D7(도쿄 치요다구 마루노우치3-5-1)

※현장 또는 전화, 서면, 온라인 입찰을 통해 참여하실 수 있습니다.
※경매 진행 상황은 유튜브를 통해 시청하실 수 있습니다.
 YouTube Streaming:https://www.youtube.com/channel/UC32a7MUOI-xI1DY-CghG-KA
※상세 정보는 아래의 웹사이트를 통하여 확인해 주시기 바랍니다.
https://www.sbiartauction.co.jp/lp/2025_03_08/jp/

■About our auction/關於我們/SBI아트옥션에 대하여

SBI Art Auction holds public auctions offering a diverse selection of fine works including contemporary art created in and after the 20th century, as well as modern art, photography, design, and crafts that enrich the lifestyles of a wide variety of clients.
With registered customers from over 63 countries* and approximately 50% of auction sales attributed to international bidders, SBI Art Auction proudly stands as Japan's most globally connected auction house.
In addition to showcase works by prominent Japanese artists, we will actively introduce works by international artists rarely featured in Japanese auctions, contributing to the growth and expansion of Japan's art market.
*As of January 2025

■How to participate in our auction
The auction is held by bidding for the sale price.
Customers who participate for the first time are requested to register in advance.
For more information on how to buy works at auction, please see the following page.
Details on how to participate and buy: https://www.sbiartauction.co.jp/en/buy-sell/buy/

■Upcoming auction (TBC)
The 71st SBI Art Auction | LIVE STREAM AUCTION
Auction Date: Friday, April 11, 2025 – Saturday, April 12, 2025

The 72nd SBI Art Auction | Modern and Contemporary Art
Auction Date: Friday, May 23, 2025 - Saturday, May 24, 2025

■About us
SBI Art Auction Co., Ltd. provides a wide variety of services corresponding to our clients' needs, including auctioning, brokering private sales, financing, and consulting. Our aim is to ensure that more people come to appreciate the pleasure, importance, and fun of owning artworks, while at the same time helping them to keep their artworks in good condition over the long term and pass them along to the next generation.

Company name: SBI Art Auction Co., Ltd.
Representative Director: FUJIYAMA Tomohiro
Address: TFT Building East Wing, 3-6-11 Ariake, Koutou-ku, Tokyo, 135-0063 JAPAN
Established: April 1, 2011
HP: https://www.sbiartauction.co.jp/en/
Instagram: https://www.instagram.com/sbiartauction/
*Please be aware of impersonation attempts mimicking our website.

藉由舉辦公開拍賣,SBI藝術拍賣為藝術愛好者呈現二十世紀以來的卓越當代藝術作品,以及現代藝術、攝影、設計和工藝品等,致力於通過藝術豐富人們的生活。我們的客戶遍佈63個國家及地區*,海外得標者所佔的總落錘金額約達50%,這使得SBI藝術拍賣成為日本最具國際化的拍賣平台。除了推廣日本藝術界的代表性藝術家之外,我們還致力為藝術愛好者帶來在國內鮮少見到的國際藝術家作品,進一步擴大和豐富日本的藝術市場。
*數據截至 2025年 1月

■如何參加拍賣
參加SBI藝術拍賣,需先進行會員註冊。拍賣採用競拍形式。
詳細參加指南,請訪問https://www.sbiartauction.co.jp/en/buy-sell/buy/

■下回拍賣日程 (暫定)
第71輯SBI藝術拍賣|「LIVE STREAM」
拍賣日: 2025年4月11日-12日(星期五-星期六)

第72輯SBI藝術拍賣|「現當代藝術專場」
拍賣日: 2025年5月23日-24日(星期五-星期六)

■公司簡介
SBI藝術拍賣株式會社自2011年於東京成立以來,致力於提供廣泛的藝術品相關服務,以滿足客戶多元的需求。我們的服務範疇涵蓋公開拍賣、私人洽購、金融服務及規劃諮詢等領域。冀能讓更多人體驗到藝術所帶來的樂趣及其重要性,同時協助客戶典藏藝術品,確保其良好狀態得以傳承至未來世代。
公司網站: https://www.sbiartauction.co.jp/en/
官方Instagram: https://www.instagram.com/sbiartauction/
*請留意釣魚網站或仿冒帳號。

20세기 이후 현대미술을 중심으로 현대미술, 사진, 디자인, 공예품 등 고객의 라이프스타일을 다채롭게 할 다양한 작품을 소개하는 공개형 옥션입니다. 등록 고객의 국적은 63개국, 낙찰 총액의 약 50%를 해외 고객의 낙찰이 차지하는(※) 등 국내 최고의 국제성을 자랑한다. 일본 미술시장을 상징하는 작가의 작품은 물론, 국내 경매에 출품이 적은 해외 작가의 작품도 적극적으로 소개하며 일본 미술시장의 성장과 확대에 힘쓰고 있습니다.
(※) 2025년 1월 현재

■경매 참가 방법
처음 참여하시는 고객님께서는 사전 등록을 부탁드리고 있습니다.
경매에서 작품을 구매하는 방법에 대한 자세한 내용은 아래 페이지에서 확인하실 수 있습니다.
:https://www.sbiartauction.co.jp/buy-sell/buy/

■앞으로 경매 스케쥴(예정)
제71회 SBI 아트옥션|LIVE STREAM AUCTION
개최일 : 2025년 4월 11일(금), 12일(토)

제72회 SBI아트옥션|MODERN AND CONTEMPORARY ART
개최일 : 2025년 5월 23일(금), 24일(토)

■SBI아트옥션 주식회사
미술품 경매, 매매, 매매 중개, 금융, 자문 등 고객의 니즈에 따라 국내외의 폭넓은 네트워크를 활용한 다각적인 사업을 전개하고 있습니다. 서비스 제공을 통해 더 많은 사람들에게 미술품 소유의 기쁨과 소중함, 재미를 전함과 동시에 미술품을 오래도록 소중히 간직하고 다음 세대로 이어갈 수 있도록 돕고 있습니다.
회사명:SBI아트옥션 주식회사
대표자:대표이사 후지야마 토모히로
소재지: 도쿄도 고토구 아리아케 3-6-11 TFT빌딩 동관
설립: 2011년 4월 1일
HP:https://www.sbiartauction.co.jp/
Instagram:https://www.instagram.com/sbiartauction/


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PRESS - 2025.02.07

Bloom Now | An Art Auction Celebrating the Arrival of Spring - A Season of Awakening: Vibrant Collection of Artworks That Illuminate the World -

SBI Art Auction is pleased to announce “the 70th SBI Art Auction | Bloom Now”, taking place on Saturday, March 8, 2025, at the Tokyo International Forum. Under the newly introduced title Bloom Now, the special auction will present a curated selection of masterpieces from legendary figures to contemporary visionaries shaping the art scene. As spring unfolds, we invite you to discover and celebrate the season through extraordinary art. 

One of the auction highlights is The Little Thinker (No. YNF5386) by NARA Yoshitomo. While NARA’s works are often characterized by his iconic depictions of young girls, this sculpture is striking for its contemplative yet gentle expression, capturing a quiet moment of introspection. His artworks, which evoke memories and emotions from childhood, continue to receive high acclaim both in Japan and internationally, making this a must-see piece. Another standout lot is KUSAMA Yayoi’s Pumpkin, a monochrome acrylic on canvas featuring her signature motif. As one of the most anticipated pieces in the auction, this artwork is set to be the top lot with the highest estimate, showcasing Kusama’s timeless appeal. A significant figure in postwar Korean and Japanese art, LEE U-fan’s With Winds will also be featured in the auction. Following the presentation of works from the same series in the October 2024 auction, this piece, in an F30 horizontal format, showcases his masterful brushstrokes, creating a powerful yet serene visual experience.

The photography section will also be a key attraction, featuring Em Arena II, Amsterdam by Andreas GURSKY. This is a monumental work that resembles a painting in its meticulous composition and details, and these characteristics give viewers an overwhelming visual impact. Another highly anticipated work is Nastassja Kinski and the Serpent, Los Angeles, California, June 14 by Richard AVEDON.

Among the contemporary and modern highlights, a sculptural work by KATO Izumi will be presented. His distinctive forms, reminiscent of primordial life and nature’s organic silhouettes, resonate with an energy that is both ancient and timeless. Untitled by ROKKAKU Ayako features the artist’s signature girl motif set against a vivid red background. The contrast between the bright, lively colors and the enigmatic expression of the girl draws viewers into her unique artistic world. Additionally, Waterfall by SENJU Hiroshi is another piece to watch, elegantly capturing the dynamic yet meditative essence of flowing water, blending the traditional aesthetics of Japanese painting with a contemporary sensibility.

The auction will also highlight Cabeza, from Portfolio II by Jean-Michel BASQUIAT. This electrifying work captures the artist’s signature raw energy through its vivid colors and expressive brushwork. The central figure—characterized by wide eyes, an elongated neck, and intricately detailed lips—commands attention with a presence that is both abstract and deeply emotive.

How about welcoming the arrival of spring with an inspiring art experience? “The 70th SBI Art Auction | Bloom Now” will be held alongside Art Fair Tokyo, Japan’s premier art event. Join us for this exceptional opportunity to explore and acquire works from an outstanding lineup of artists at one of the year’s most anticipated auctions.

■Auction Detail “The 70th SBI Art Auction|Bloom Now ”
Auction
・Total Number of Lots: 93
・Date: Saturday, March 08, 2025 1:00PM (JST) –
・Venue: Tokyo International Forum, Hall D5 (3-5-1 Marunouchi, Chiyoda City, Tokyo 100-0005)

Preview
・Preview Date: Thursday, March 06 – Saturday, March 08, 2025 11:00AM (JST)-
・Venue: Tokyo International Forum, Hall D7 (3-5-1 Marunouchi, Chiyoda City, Tokyo 100-0005)

*Phone bidding and Online bidding are also AVAILABLE!
*Auction Live Streaming on YouTube. Please check the below link↓.
YouTube Streaming: https://www.youtube.com/channel/UC32a7MUOI-xI1DY-CghG-KA
*More information is available on our official website
https://www.sbiartauction.co.jp/lp/2025_03_08/en/ (to be published on Friday, February 14, 2025)

■Highlights
Access to this sale’s online catalogue (to be published on Friday, February 14, 2025)
https://www.sbiartauction.co.jp/en/auction/catalogue/128


■About our auction

SBI Art Auction holds public auctions offering a diverse selection of fine works including contemporary art created in and after the 20th century, as well as modern art, photography, design, and crafts that enrich the lifestyles of a wide variety of clients.
With registered customers from over 63 countries* and approximately 50% of auction sales attributed to international bidders, SBI Art Auction proudly stands as Japan's most globally connected auction house.
In addition to showcase works by prominent Japanese artists, we will actively introduce works by international artists rarely featured in Japanese auctions, contributing to the growth and expansion of Japan's art market.
*As of January 2025

■How to participate in our auction
The auction is held by bidding for the sale price.
Customers who participate for the first time are requested to register in advance.
For more information on how to buy works at auction, please see the following page.
Details on how to participate and buy: https://www.sbiartauction.co.jp/en/buy-sell/buy/

■Upcoming auction (TBC)
The 71st SBI Art Auction | LIVE STREAM AUCTION
Auction Date: Friday, April 11, 2025 – Saturday, April 12, 2025

The 72nd SBI Art Auction | Modern and Contemporary Art
Auction Date: Friday, May 23, 2025 - Saturday, May 24, 2025

■About us
SBI Art Auction Co., Ltd. provides a wide variety of services corresponding to our clients' needs, including auctioning, brokering private sales, financing, and consulting. Our aim is to ensure that more people come to appreciate the pleasure, importance, and fun of owning artworks, while at the same time helping them to keep their artworks in good condition over the long term and pass them along to the next generation.

Company name: SBI Art Auction Co., Ltd.
Representative Director: FUJIYAMA Tomohiro
Address: TFT Building East Wing, 3-6-11 Ariake, Koutou-ku, Tokyo, 135-0063 JAPAN
Established: April 1, 2011
HP: https://www.sbiartauction.co.jp/en/
Instagram: https://www.instagram.com/sbiartauction/
*Please be aware of impersonation attempts mimicking our website.

Bloom Now – 匯聚世界藝術瑰寶的藝術拍賣會
在這萬物甦醒的春天,共賞大師之作

SBI藝術拍賣很榮幸為您帶來第70輯SBI藝術拍賣「Bloom Now」,拍賣將於2025年3月8日(星期六)在東京有樂町國際論壇舉行。 「Bloom Now」精選來自國內外藝術大師及當代極具影響力藝術家的傑作,為藝術愛好者獻上一場璀璨非凡的盛宴。在春意盎然的季節裡,誠邀您共襄盛舉,邂逅令人心動的藝術珍品。

本次拍賣的亮點之一為奈良美智的作品《The Little Thinker (No. YNF5386)》。奈良美智擅長以童趣筆觸刻畫少女形象,而本作中的少女以沉思的神情與溫和的微笑,流露出深邃而細膩的情感,喚起觀者內心深處的童年記憶與共鳴。奈良美智的作品在國際間享有極高評價,此作更屬不可多得的珍品。此外,草間彌生的《南瓜》亦隆重登場。這幅以黑白單色調描繪的壓克力畫布作品成為本場拍賣估價最高的作品。本作延續2024年10月拍賣會的同系列創作,為72.7 × 90.9 cm的橫幅畫作,以極簡的色彩運用,展現強烈而富有張力的筆觸,完美體現李禹煥獨特的美學理念,令人為之讚嘆。

本場拍賣會的攝影作品同樣不容錯過,其中最受矚目的當屬Andreas Gursky的《Em Arena II, Amsterdam》。這件作品猶如一幅壯闊的繪畫,細膩且經過精心計算的構圖帶來震撼的視覺衝擊。此外,傳奇攝影師Richard Avedon的經典之作《Nastassja Kinski and the Serpent, Los Angeles, California, June 14》亦將同步登場。

在眾多人氣藝術家的作品中,加藤泉的雕塑作品無疑將吸引眾多目光。其獨特的葉片輪廓與彷若生命起源的造型,散發出強烈的原始能量,喚起觀者內心的深層共鳴。同樣值得關注的還有六角彩子的作品《無題》,標誌性的少女形象配以紅色為基調的背景,色彩鮮明而富有層次,而少女神秘的表情更是引人深思。此外,千住博的《瀑布》亦將登場,其作品將日本畫的傳統美學昇華至當代藝術,透過瀑布的流動展現水的「動」,並與畫面整體營造出的寧靜「靜」相互交融,締造出獨特的視覺美感。同場亦將呈現來自街頭藝術與當代藝術交匯的代表性人物Jean-Michel Basquiat的作品《Cabeza, from Portfolio II》。畫面中的人物雙眼睜大,脖頸伸長,嘴部線條細膩,以鮮明的色彩與獨特筆觸構築出抽象而迷人的風格,勢必成為藏家競相角逐的焦點。

這個春天,何不與精采絕倫的藝術作品一同感受新氣息?本次拍賣將與「Art Fair Tokyo」同步舉行,誠摯邀請各界共襄盛舉,共同見證這場年度藝術盛典。

■拍賣詳情
第70輯SBI藝術拍賣|Bloom Now
【拍品數】93件拍品
【拍賣日】2025年3月8日(星期六)日本時間13:00-
【拍賣會場】有樂町 東京國際論壇D5 (東京都千代田區丸之內3丁目5-1)
【拍賣預展】2025年1月22日(星期三)-1月26日(星期日)
【預展會場】有樂町 東京國際論壇D7 (東京都千代田區丸之內3丁目5-1)

※可透過親臨拍賣會場、或以電話、書面或線上形式參與拍賣。
※拍賣將通過YouTube直播,觀看連結: https://www.youtube.com/channel/UC32a7MUOI-xI1DY-CghG-KA
※更多資訊請參閱網站: https://www.sbiartauction.co.jp/lp/2025_03_08/en/(資訊將於2月14日星期五更新公開)

■焦點拍品 
※線上圖錄(資訊將於2月14日星期五更新公開) https://www.sbiartauction.co.jp/en/auction/catalogue/128

■關於我們

藉由舉辦公開拍賣,SBI藝術拍賣為藝術愛好者呈現二十世紀以來的卓越當代藝術作品,以及現代藝術、攝影、設計和工藝品等,致力於通過藝術豐富人們的生活。我們的客戶遍佈63個國家及地區*,海外得標者所佔的總落錘金額約達50%,這使得SBI藝術拍賣成為日本最具國際化的拍賣平台。除了推廣日本藝術界的代表性藝術家之外,我們還致力為藝術愛好者帶來在國內鮮少見到的國際藝術家作品,進一步擴大和豐富日本的藝術市場。
*數據截至 2025年 1月

■如何參加拍賣
參加SBI藝術拍賣,需先進行會員註冊。拍賣採用競拍形式。
詳細參加指南,請訪問https://www.sbiartauction.co.jp/en/buy-sell/buy/

■下回拍賣日程 (暫定)
第71輯SBI藝術拍賣|「LIVE STREAM」
拍賣日: 2025年4月11日-12日(星期五-星期六)

第72輯SBI藝術拍賣|「現當代藝術專場」
拍賣日: 2025年5月23日-24日(星期五-星期六)

■公司簡介
SBI藝術拍賣株式會社自2011年於東京成立以來,致力於提供廣泛的藝術品相關服務,以滿足客戶多元的需求。我們的服務範疇涵蓋公開拍賣、私人洽購、金融服務及規劃諮詢等領域。冀能讓更多人體驗到藝術所帶來的樂趣及其重要性,同時協助客戶典藏藝術品,確保其良好狀態得以傳承至未來世代。
公司網站: https://www.sbiartauction.co.jp/en/
官方Instagram: https://www.instagram.com/sbiartauction/
*請留意釣魚網站或仿冒帳號。





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AUCTION - 2025.01.28

【Results & Invitation to Consign】The 69th SBI Art Auction | Modern and Contemporary Art

Thank you for partaking in our "The 69th SBI Art Auction | Modern and Contemporary Art" sale held on January 25 and 26.
Auction result is now available on our website.
Total Sales: 608,321,250 JPY
Lots sold: 93.9%


>> Auction Result [Online Catalogue]
>> Auction Result [PDF]

◆Results Highlight
Price realized (JPY) includes buyer's Premium



Lot. 085
KUSAMA Yayoi
Untitled
40,000,000 - 70,000,000 JPY
Price Realized 65,550,000 JPY



Lot. 031
YAMAGUCHI Takeo
Small Window
8,000,000 - 14,000,000 JPY
Price Realized 20,125,000 JPY



Lot. 086
NARA Yoshitomo
In the Floating World (Complete set of 16) (YNF2558 - 2573)
15,000,000 - 25,000,000 JPY
Price Realized 29,900,000 JPY



Lot. 087
NARA Yoshitomo
Fire Mountain (No. YNF5387)
2,500,000 - 3,500,000 JPY
Price Realized 7,820,000 JPY



Lot. 005
Andy WARHOL
Chicken Noodle, from Campbell's Soup I (F. & S. Ⅱ.45)
5,000,000 - 8,000,000 JPY
Price Realized 11,500,000 JPY



Lot. 009
Gerhard RICHTER
Haggadah (P2)
2,000,000 - 3,000,000 JPY
Price Realized 5,750,000 JPY



Lot. 112
ROKKAKU Ayako
Untitled
8,000,000 - 14,000,000 JPY
Price Realized 16,100,000 JPY



Lot. 156
Mr.
On The Riverwalk, A Girl Lit From Behind. Was It An Illusion?
900,000 - 1,400,000 JPY
Price Realized 4,600,000 JPY



Lot. 096
NAWA Kohei
PixCell-Toy-Miffy #7
1,500,000 - 2,500,000 JPY
Price Realized 2,875,000 JPY

◆Upcoming auctions and deadline for consignment
The 70th SBI Art Auction | Bloom Now
Date: Saturday, March 8, 2025
Preview: Thursday, March 6 - Saturday, March 8, 2025
Deadline for consignment: Closed

The 71st SBI Art Auction | LIVE STREAM AUCTION
Date: Friday, April 11 - Saturday, April 12, 2025
Deadline for consignment: Mid-February, 2025

Please request an estimate by clicking the following link.
>> Request an estimate

Please contact
SBI Art Auction
TEL: +81 3-3527-6692 FAX: +81 3-3529-0777
Email: ArtAuction@sbigroup.co.jp

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PRESS - 2025.01.23

“Brighten the New Year with Art: The 7 Best Artsy Spots in Tokyo” —January 2025—

This year, a host of exhibitions and events featuring works by domestic and international artists invite visitors to experience art in a variety of forms. Why not start 2025 on an artistic note?

In this article, we focus on two themes— “Fusion of Traditional Techniques and Art: A Reinterpretation of Timeless Expressions” and “The Gift of Modern Technology: Exploring the Potential of Art in a New Era” —and introduce exhibitions and events selected around these concepts. From witnessing how age-old craftsmanship, deeply rooted in people’s lives and culture, breathes new life into contemporary art, to sensing the impact of advancing science and technology on artistic expression, there’s much to discover. Among the highlights, the National Museum of Western Art is currently hosting “Monet: The Late Waterscapes”, which lets you experience the world of light and nature conjured by Claude Monet, one of the most beloved Impressionist painters worldwide.

At the Shoto Museum of Art, the “Suda Yoshihiro” exhibition surprises viewers with exquisitely detailed sculptures of natural forms found in everyday life.

Meanwhile, in a rare green oasis within Tokyo—and with the main building itself designated as an Important Cultural Property of Japan—the Tokyo Metropolitan Teien Art Museum is featuring “Wonderment Noe Aoki / Ritsue Mishima.” This exhibition spotlights two artists who create work using materials—such as iron and glass—that have long been part of people’s daily lives.

The distinctive style of Kei Imazu involves painting in oil based on sketches processed and composed using data from digital media through an app. Her captivating work can be explored in-depth in both “Kei Imazu Tanah Air” at Tokyo Opera City Art Gallery and “Kei Imazu Exhibition” at UESHIMA MUSEUM ANNEX. Additionally, the Museum of Contemporary Art Tokyo is hosting “Ryuichi Sakamoto | seeing sound, hearing time,” a large-scale retrospective for the world-famous musician and artist known for his multimedia live installations. These, along with our very own auction featuring an excellent lineup of contemporary artworks, form a stellar array of must-see exhibitions for your art-filled itinerary.

Table of Contents
1. “Fusion of Traditional Techniques and Art: A Reinterpretation of Timeless Expressions”
 1) The National Museum of Western Art, “Monet: The Late Waterscapes”
 2) The Shoto Museum of Art, the “Suda Yoshihiro” exhibition
 3) Tokyo Metropolitan Teien Art Museum, “Wonderment Noe Aoki / Ritsue Mishima”

2. “The Gift of Modern Technology: Exploring the Potential of Art in a New Era”
 1) Tokyo Opera City Art Gallery “Kei Imazu Tanah Air”
 2) UESHIMA MUSEUM ANNEX “Kei Imazu Exhibition”
 3) Museum of Contemporary Art Tokyo, “Ryuichi Sakamoto | seeing sound, hearing time”
 4) SBI Art Auction “The 69th SBI Art Auction | Modern and Contemporary Art”

1. “Fusion of Traditional Techniques and Art: A Reinterpretation of Timeless Expressions”
Below are exhibitions that illuminate how traditional craftsmanship, long interwoven with people’s lives and culture, brings forth a new vitality in contemporary art. Whether in oil painting, wood carving, architecture, or the use of materials like iron and glass, classical techniques evolve from mere craft to new expressions that unite the artist’s individual style with the spirit of the times, generating fresh value.

1) The National Museum of Western Art, “Monet: The Late Waterscapes” (Saturday, October 5, 2024 - Tuesday, February 11, 2025)

From October 2024, the National Museum of Western Art presents “Monet: The Late Waterscapes”, a grand-scale exhibition showcasing Claude Monet—one of the most prominent Impressionist painters, who remains extremely popular in Japan. This remarkable lineup features about 50 masterpieces, including works from the Musée Marmottan Monet in Paris—the largest collection of Monet’s works in the world— many of which are being exhibited in Japan for the very first time. Alongside these international treasures, the exhibition also features renowned paintings from various prestigious Japanese collections, offering a truly unmissable cultural experience.

After exploring Monet’s London scenes and views along the Seine, the exhibition moves on to the period when he turned to the subject of water and flowers in his iconic “Water Lilies” series. In the midst of numerous hardships, Monet embarked on the monumental endeavor known as Grande Décoration, planning to cover an entire room with massive panels depicting his water-lily pond. Despite cataracts that altered his color perception in his later years, the exhibition highlights his steadfast creative drive, refined sense of color, and experimental spirit. Monet’s unwavering determination in the face of adversity was not only a bold challenge to the established painting techniques of his era, but the gently oscillating surfaces of his water-lily pond— “a symphony of color”—continue to inspire and resonate with today’s audiences.

2) The Shoto Museum of Art, the “Suda Yoshihiro” exhibition (Saturday, November 30, 2024 – Sunday, February 2, 2025)

Left: Suda Yoshihiro, Suzumeuri, 2024, Painted on wood, collection of the artist ©Suda Yoshihiro / Courtesy of Gallery Koyanagi
Center: Suda Yoshihiro, Tokyo Installation (detail), 1994, mixed media, On loan to Yamanashi Prefecture Museum of Art ©Suda Yoshihiro / Courtesy of Gallery Koyanagi ©Suda Yoshihiro / Courtesy of Gallery Koyanagi
Right: Suda Yoshihiro, Gerbera, 1997, painted on wood, Museum of Contemporary Art Tokyo, Gift of Sambishosha [Mr. Ueda Kuniaki and Mrs. Ueda Katsuko], Photo: Shunji Tanaka©Suda Yoshihiro / Courtesy of Gallery Koyanagi ©Suda Yoshihiro / Courtesy of Gallery Koyanagi

From November 30, 2024, the “Suda Yoshihiro” exhibition at the Shoto Museum of Art in Shibuya invites visitors into a realm where nature and art overlap through hyper-realistic sculptures of plants and flowers. Suda painstakingly sculpts these botanical forms life-size and places them in unexpected locations, transforming each setting into a singular, immersive environment.

This exhibition features Suda’s early works, drawings, and his hosaku creations in which he restores missing parts of traditional artworks, an aspect rarely seen elsewhere. Another highlight is the recreation of his graduation project, viewable only at this show. The Shoto Museum of Art itself is a unique building designed by Seiichi Shirai, known as the “philosophical architect.” Its curving exhibition spaces amplify the quiet, poetic quality of Suda’s sculptures, offering moments of surprise as you discover each piece delicately integrated into its surroundings.

3) Tokyo Metropolitan Teien Art Museum, “Wonderment Noe Aoki / Ritsue Mishima” (Saturday, November 30, 2024 – Sunday, February 16, 2025)


Upper Left: Entrance, Main Building, Tokyo Metropolitan Teien Art Museum
Lower Left: Salon and Perfume Tower, Main Building, Tokyo Metropolitan Teien Art Museum
Center: Noe Aoki, mijin (microcrystal), 2020, gallery21yo-j, Tokyo, installation view ©Noe Aoki, courtesy of ANOMALY (photo: Tadasu Yamamoto)
Right: Ritsue Mishima, VENERE, 2023, UESHIMA MUSEUM COLLECTION (photo: Francesco Barasciutti)

At the Tokyo Metropolitan Teien Art Museum —housed in a building recognized as an Important Cultural Property—“Wonderment Noe Aoki / Ritsue Mishima” is currently on view. Our everyday experience is suffused with different kinds of light: the sun’s rays, gentle moonlight, and so forth. This exhibition showcases leading contemporary artists Noe Aoki and Ritsue Mishima, whose works, made using iron and glass—materials long present in human civilization—bring new splendor to the museum’s Art Deco interiors.

Both artists extensively explored the space beforehand to develop a site-specific plan exclusively for this exhibition. Aoki is inspired by the “transparent light” she observes when cutting through iron, continually pursuing the radiant qualities of an otherwise heavy material. Mishima, on the other hand, seeks to capture the “contours of light” with her transparent glass creations. Natural daylight pours in during the day, and warm interior lighting takes over at dusk, transforming the atmosphere within. Visitors can witness each artwork’s relationship to light as iron and glass embody luminous possibilities. This convergence of history and the present, iron and glass, artist and space, invites viewers into a world of artistic brilliance shaped by light.

2. “The Gift of Modern Technology: Exploring the Potential of Art in a New Era”
Advancements in science and technology are unlocking new realms of artistic expression. Contemporary technologies such as digital tools, AI, VR, 3D printing, and innovative sound techniques have made possible previously unimaginable art forms and experiences. This section delves into how modern technology influences art and its potential future, highlighting forms of expression that could only emerge in this era. Through groundbreaking creations that blend tradition with modernity, we uncover new dimensions of creativity shaped by the synergy of technology and art.

1) Tokyo Opera City Art Gallery “Kei Imazu Tanah Air” (Saturday, January 11, 2025 – Sunday, March 23, 2025)

Upper Left: Installation view of unearth, ROH, Indonesia, 2023, courtesy of The Artist and ROH
Lower Left: When Facing the Mud (Response of Shrimp Farmers in Sidoarjo), 2022, oil, acrylic, mud, UV print on canvas, 194×388 cm, 2022, Private Collection, courtesy of The Artist and ROH
Center: Decoupling , oil on canvas, 2016, 116×80 cm, Private Collection, photo: Keizo Kioku, courtesy of The Artist and ANOMALY
Right: Last Universal Common Ancestor, 2022, oil on canvas, 201×135.5 cm, Obayashi Collection, photo: Ichiro Mishima, courtesy of The Artist and ANOMALY

From January 11, 2025, the Tokyo Opera City Art Gallery is hosting “Kei Imazu Tanah Air.” In 2017, Imazu relocated her studio and residence to Bandung, Indonesia, where she began researching issues such as rapid urban development and environmental pollution—sometimes traveling to these locations in person—to inform her art. Employing a unique blend of traditional and contemporary approaches, she digitally edits images she finds online, then painstakingly renders them in oil on canvas.

By integrating images of contemporary events, as well as drawing from mythology, history, and evolutionary biology, she merges various time frames and themes in her work. The result is an interrogation of modern society’s dilemmas from a universal vantage point. Alongside her paintings, this exhibition features large-scale sculptures created using 3D printers and immersive installations inspired by Indonesia’s history and natural environment, revealing the breadth of Imazu’s artistry.

The title Tanah Air comes from Indonesian words for “soil” and “water,” symbolizing “homeland.” For Imazu, the works created based on her experiences in two homelands—Indonesia, where she currently resides, and Japan, her place of origin—offer viewers an opportunity to reflect on their own sense of belonging and place in the world. Through these intertwined experiences, her art invites audiences to reconsider their relationship with the spaces they inhabit. Don’t miss this chance to encounter Imazu’s sweeping vision and experience the world in a new light.

2) UESHIMA MUSEUM ANNEX “Kei Imazu Exhibition” (Wednesday, January 15, 2025 – the end of March, 2025)

Left:"Kei Imazu Exhibition" - Exhibition Poster
Right: Installation View of "Kei Imazu Exhibition" at UESHIMA MUSEUM ANNEX

Following the opening of the UESHIMA MUSEUM(Main Building) within Shibuya Kyoiku Gakuen in June 2024, the UESHIMA MUSEUM ANNEX opened in January 2025 with a “Kei Imazu Exhibition” launched on January 15. The UESHIMA MUSEUM COLLECTION—one of the most extensive in Japan—focuses on contemporaneity and houses a diverse range of artworks, including VENERE (2023) by Ritsue Mishima, currently on loan to the Tokyo Metropolitan Teien Art Museum.

This show brings together twelve works by Imazu from the collection, including her standout 2019 piece, To Survive. Known for her method of compiling a wide array of digital imagery, editing it on the computer, then translating it into oil paintings, Imazu embraces elements like glitches and other unintentional artifacts in the digital process. The result is a visual experience unattainable through traditional painting techniques, offering new perspectives for the viewer.

Spanning roughly two decades, from the late 2000s to the present, the exhibition traces the evolution of Imazu’s career. Her move from Japan to Bandung and personal experiences such as childbirth and parenting seem to have profoundly shaped her themes and motifs over time. Visitors can observe this artistic journey in each stage of her work.

3) Museum of Contemporary Art Tokyo, “Ryuichi Sakamoto | seeing sound, hearing time“ (Saturday, December 21, 2024 – Sunday, March 30, 2025)

Left: Ryuichi Sakamoto | seeing sound, hearing time – Exhibition Poster
Upper Center: Installation view of the exhibition "Ryuichi Sakamoto | seeing sound, hearing time" at the Museum of Contemporary Art Tokyo, 2024. Ryuichi Sakamoto + Shiro Takatani, async–immersion tokyo, 2024 ©2024 KAB Inc. Photo: Takeshi Asano
Lower Center: Min Tanaka, Locus Focus at Ryuichi Sakamoto + Fujiko Nakaya + Shiro Takatani, LIFE–WELL TOKYO, Fog Sculpture #47662, 2024 Photo: Itaru Hirama
Right: Installation view of the exhibition "Ryuichi Sakamoto | seeing sound, hearing time" at the Museum of Contemporary Art Tokyo, 2024. Ryuichi Sakamoto + Toshio Iwai, Music Plays Images X Images Play Music, 1996–1997/2024 ©2024 KAB Inc. Photo: Ryuichi Maruo

Since December 21, 2024, the Museum of Contemporary Art Tokyo has been hosting “Ryuichi Sakamoto | seeing sound, hearing time," offering a comprehensive look at the artistic pursuits of one of Japan’s most celebrated musicians and artists. This large-scale retrospective, the first in Japan since Sakamoto’s passing, integrates music and visual art for a new form of immersive experience.
Sakamoto’s output spanned countless creative avenues, from multimedia live performances to site-specific sound installations begun in the early 2000s. Focused on his lifelong inquiries into “sound” and “time,” the exhibition features around ten immersive, experiential sound installations—both iconic pieces and newly unveiled works—drawn from more than five decades of artistic activity. Pushing beyond conventional boundaries, it offers a space where music converges with the visual, and time intersects with space. Experience the world of “seeing sound” and “hearing time” that Ryuichi Sakamoto so passionately explored.

4) SBI Art Auction “The 69th SBI Art Auction | MODERN AND CONTEMPORARY ART” (Saturday, January 25, 2025 – Sunday, January 26, 2025)

SBI Art Auction will hold “The 69th SBI Art Auction | MODERN AND CONTEMPORARY ART” on Saturday, January 25th and Sunday, January 26th, 2025, at Daikanyama Hillside Forum. This sale will feature a remarkable selection of works by internationally acclaimed masters to emerging artists, offering a fitting start to the new year, 2025.

One of the key highlights of the auction is Small Window by YAMAGUCHI Takeo, a masterpiece that exemplifies his pioneering abstract style. With striking geometric compositions and his unique sense of color, this exceptional work will also grace the cover of the auction catalogue, showcasing the boldness and expressive power that define his artistry. Alongside it, KUSAMA Yayoi’s iconic acrylic painting featuring her famous pumpkin motif, as well as her bronze sculptures and glittering silkscreens, will be featured. A rare collection of sixteen prints by NARA Yoshitomo, widely celebrated both in Japan and abroad, will also be presented.

This auction showcases works by renowned international artists, starting with Gerhard Richter, a leading figure in contemporary German art, celebrated for his seamless blend of figuration and abstraction. His exploration of light and color imbues his abstract compositions with poetic beauty. From the United States, Alex KATZ, renowned for his bold use of color and figurative expression during the abstract art movement of the 1950s, will also be featured. Additionally, iconic Pop Art legend Andy WARHOL’s pieces will be presented.

Representing Asia, the auction highlights extraordinary works by LEE Ufan, a key figure in post-war Korean and Japanese art. Alongside these masters, emerging talents such as ROKUKAKU Ayako, known for her unique, hand-painted depictions of young girls in vibrant colors, and TOMOSAWA Kotao, a rising star whose striking works have captivated attention since his student years, will also be included. This is an exceptional opportunity to experience both established icons and promising new voices shaping the future of contemporary art.

As the beginning of a new year, we invite you to experience the power of art through these exceptional pieces. The auction will be held over the weekend, and the viewing period will be extended, providing an excellent opportunity for those who may not usually attend to visit. We invite art lovers and collectors alike to explore this extraordinary selection and look forward to welcoming you to the auction and its preview.


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